25 397 безкоштовних аудіофайлів для "Midi Files Of Music Theory And Analysis"

Mozart, Symphony 41, finale, bars 190-199Mozart, Symphony 41, finale, bars 190-199

Mozart, from Piano Concerto No. 21, K465

Beethoven's retrograde version of his fugue subject (Hammerklavier Sonata)

Don Giovanni, Overture bars 85-99

Mozart Jupiter Finale, bars 389-396

Dissonance in Mozart's Adagio and Fugue in C minor, K. 546

Beethoven Symphony No 6, fourth movement, bars 3-8

Mozart Trio from Wind Serenade K388

Piano Sonata, op. 111, first movement concluding bars

Leonora no. 3, overture, bars 69-76

Don Giovanni Overture bars 77-80

Bach Toccata in F deceptive cadence

Mozart Symphony 41, finale, fugal passage

Don Giovanni Overture bars 133-141 reduced score

Don Giovanni Overture bars 133-141 violins and bass only

Symphony IV canonic passage from the 1st movement

Mozart piano sonata K332 excerpt

From Bach chorale, Wachet auf

Mozart Minuet from Trio K498, bars 94-100

Mozart Piano Concerto K482, opening bars

String Quartet no. 19 in C major, K. 465 (“Dissonance”) opening

Mozart Romanze from Piano Concerto 20

Mozart, from Piano Sonata K310, first movement

Symphony No. 6, fourth movement, bars 146-155

Beethoven Appassionata Sonata 3, final bars of andante

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Sound of steel chisel 5th (fifth)

An important subtype of the descending 5-6 sequence is the root position variant, also known as the Pachelbel sequence, due to the use of this sequence in Pachelbel's Canon. The Pachelbel sequence changes the first inversion chords in the descending 5-6 sequence to root position chords, resulting in a bass pattern that moves down a fourth, and then up stepwise.

The standard way of filling in this descending thirds pattern is to interpolate a first inversion chord in between each of these descents by thirds. The result is a bass line that moves down continuously stepwise, resulting in a figured bass of '5-6', and therefore, the standard descending 5-6 sequence.

Bach Toccata in F, BWV 540 bars 197-207

Star-spangled Banner opening bars

Beethoven Piano Sonata 21, 1st movement, bars 78-84

From The Star-spangled Banner

Contrasting orchestral groups from the Prelude to the first Act of Parsifal

Mozart Minuet from Trio K498, bars 76-86

Berlioz, Queen Mab Scherzo, opening bars

From Berlioz, Queen Mab scherzo

Mahler, Symphony No. 6, Scherzo, Figure 55, bars 5-12

Author: Jaser 12345, made and released by myself into the public domain.

Entry of Polymnie from les Boreades

Beethoven Scherzo from String Quartet Op 18 No 6

Piano Sonata Op. 28, Scherzo

Quartet in C sharp minor, op. 131 Trio from Scherzo, bars 93-100

Beethoven, Symphony 2 scherzo bars 1-8

Piano Sonata Op 28, Scherzo, developent section

Quartet in C sharp minor, op. 131 — Trio from Scherzo, bars 69-76

Ricercar a 6 from the Musical Offering bars 29-31

Hammerklavier fugue subject, first four bars

Piano Concerto 21, K467, slow movement, bars 83-93

Hammerklavier fugue subject, retrograde version, last four bars